“We often find the hero and villain have the same goal, but are using different methods to reach it.”
That quote was used in a panel of writers talking about anti-heroes and villains at the annual North Texas Teen Book Festival. All the authors had one thing in common: they’d written tales with the villain – an anti-hero – as the protagonist. They explored the reasons why they had chosen to write stories from the “bad guy’s” point of view, and went over their favorite villains and anti-heroes.
I have two favorite “villains” about whom the above quote happens to be true. One is from a book series, and one is from an anime. *spoilers ahead!* Not every villain has to share a goal or vision with the hero, but oftentimes adding comedic (or tragic) irony to the conflict in your story causes it to have greater depth and complexity.
*by a beginner
As a kid, did you watch Cinderella and Prince Charming get married, and wish that your adult life would turn out just the same? I will personally admit that being pulled out of a hum-drum life by a handsome, perfect man who would give me a crown, beautiful dresses and dance with me at balls sounded like the best of all possible futures – when I was 9. Continue reading
Writing is a balancing act of complements and contrast. When you’re strategic in your placement of flat and round characters, you can create a focused, textured story that feels grounded in reality no matter how many dragons crawl through its pages. Let’s begin with looking at what flat and round characters are.
In our relatively sheltered lives, pain is usually a passing phenomenon – injury or accident; sickness or disease. But what about those that live with daily pain? Those stuck in poverty, starvation/malnutrition, warfare or abuse? All of these should be present somewhere in our stories, even if they remain on the outskirts. Continue reading
Last time I talked about killing off your characters, and how that can add momentum to your story, and help shape your plot. But what about handling the emotional spectrum that grief brings out in people as your story goes on?
Grief is a lot like love: everyone will experience it, and no one’s experience of it – or reaction – is going to be the same. Continue reading
Most aspiring authors have been at the point where they have twenty different, brilliant ideas for book plots and try to write every single story all at once.
Or maybe some of you have an idea for one book and start writing without a plot or any sort of idea of where the book is going to end up you just have a few ideas of what you want to include in your book.
The problem with these tactics, is that:
- If you start too many stories at once, you will end up mixing the characters’ personalities and possibly even confusing the plots (not to mention no one has time to finish 17 different novels)
- If you write a book with tons of events with no real goal in mind, your readers are going to be very confused.
Or maybe those tactics work for you just fine. In that case you can stop reading this right now.
But for those who want to write a book but just aren’t sure how…
Back in 2002, a beloved teacher approached me about editing for the school newspaper. I had barely begun writing fiction (fanfiction) as a hobby, but I thought “Why not?” and became a part of the newspaper staff without any real idea of what I was getting myself into.
I learned how to edit and critique by doing everything wrong. Continue reading
You can never stop being a writer.
You can stop writing, but there is a part of your brain that never sleeps, never stops observing, never stops scribing.
This is an unconscious process for many of us, but to write novels that clutch people’s hearts, we must tap into that thought process. Today, I’m going to give you four lenses you can use to observe the world and enrich your writing. So let’s get started!
We often talk about creating characters, but what about those stories that feature animals as the heroes? There are several great books (and series) with animals manning the cast, while other stories include animals playing side (yet still important) roles. Whether your animals speak, your human character happens to have the ability to speak to them, or you’re writing a story with fantasy creatures, the depth and breadth of possibilities with non-human characters are endless.
For today, we’ll tackle two kinds of characters: