Pen Friends ~ We are starting a series of posts on tips and how to write each genre- Fantasy, Contemporary, Sci-fi, Action-Adventure, and more. This Month is all about WRITING SCI-FI!
First post of the Writing Sci-fi series:
Where do you start when you want to write a science fiction story? Just as with any story, you need to have an idea of your plot, your characters, their world and the struggle they’re going to face.
If you begin with a basic plot in mind, how are you going to structure your story? Is it going to be a straightforward and linear, or will you use frequent flashbacks?
You could insert official reports or journal entries to open a window into other perspectives. Or you could even jump around in the timeline – though this is tricky to keep track of – unless there’s a very plot-specific reason for it, I would caution against this.
Or perhaps you like to start with at your characters, and let the majority of the plot evolve with them. Continue reading →
Hold on a moment while I put on my nerd cap, to talk about a fabulous series called My Hero Academia, by Kouhei Horikoshi. For those totally oblivious to anime (and manga – the written comic form of popular Japanese story-telling), My Hero Academia is one of the top hits currently being published and animated for TV. (check Amazon Prime and Hulu)
A short synopsis:Izuku lives in a world where 80% of the population has been born with a Quick – think X-Men, but even zanier. Unfortunately for Izuku, who longs to be a professional hero, he’s Quirk-less, just a normal kid – which isn’t so normal anymore. Just when his dreams are in danger of being crushed by bullies and reality, he has an encounter with the #1 Hero of the age, All Might, and gets the chance to become the next greatest hero himself.
As much as I want to plug the series (go watch it! Now!) I actually want to touch on two characters and two themes, that I see running through Horikoshi’s story. Continue reading →
If one were to bring up Mrs. Hudson in conversation, what would you presume we were talking about?
I hope you’d think of Sherlock Holmes, since there are very view (perhaps no) interpretations of Sherlock Holmes that fail to include Mrs. Hudson. Yet most of the time she is not vital to the plot. So what role does she play as a side character?
We’re going to look at Mrs. Hudson and other “famous” minor characters to find the reasons why side & minor characters are important to your story. Continue reading →
Nearly a decade after starting my first “real” story (i.e. the first one I realized I wanted to finish, no matter what), I am still not finished with a complete draft. That might be depressing to some who aspire to finish their newest tale in under a year, but I knew when I started that I was undertaking a large task in attempting it: the story includes an enormous cast of characters, creating their world from the ground up, setting up a history of at least two hundred years, putting political systems in place (and the different monarchs use very different systems of ruling!!), learning about military campaigns…. The list never really ends, and the stories of minor characters have moved beyond my control, so that now when I mention it to friends in-the-know, I lovingly call it “The Epic.”
I didn’t set out to spend ten years trying to write the thing ( I probably would have balked at even starting if I’d known!) At the time, I wrote to keep myself awake through long midnight shifts at my job. The story grew out of an idea for fanfiction that quickly passed the bounds of those characters, and as I begin coming up with their names and feeling out their story, I realized that I had something unique, and for the first time started to consider myself a writer, and not just someone who liked to write. Continue reading →
“We often find the hero and villain have the same goal, but are using different methods to reach it.”
That quote was used in a panel of writers talking about anti-heroes and villains at the annual North Texas Teen Book Festival. All the authors had one thing in common: they’d written tales with the villain – an anti-hero – as the protagonist. They explored the reasons why they had chosen to write stories from the “bad guy’s” point of view, and went over their favorite villains and anti-heroes.
I have two favorite “villains” about whom the above quote happens to be true. One is from a book series, and one is from an anime. *spoilers ahead!* Not every villain has to share a goal or vision with the hero, but oftentimes adding comedic (or tragic) irony to the conflict in your story causes it to have greater depth and complexity.
As a kid, did you watch Cinderella and Prince Charming get married, and wish that your adult life would turn out just the same? I will personally admit that being pulled out of a hum-drum life by a handsome, perfect man who would give me a crown, beautiful dresses and dance with me at balls sounded like the best of all possible futures – when I was 9. Continue reading →
A reviewer wrote this about the protagonist of my first novel, Occidis. Nice, huh?
I’ve also received feedback from many readers who appreciate the very characteristics of the protagonist, Sophia, that seem to annoy others.
Several writers that I know have experienced this same situation. It’s hard to create a main character that everyone in your audience will fully appreciate. For every person who goes for the classic supernaturally athletic and brave protagonist with the aesthetic of an undiscovered model, there’s going to be a person wishing for someone who wasn’t quite so athletic or brave or ridiculously attractive.
I’m putting my nerd hat on for this post, since I am using anime and manga as my primary examples. In all 18 years of reading and watching Japanese stories, there’s a character type their writers use that I don’t see utilized in American stories often: the friendly rival.
Last time I talked about killing off your characters, and how that can add momentum to your story, and help shape your plot. But what about handling the emotional spectrum that grief brings out in people as your story goes on?
Grief is a lot like love: everyone will experience it, and no one’s experience of it – or reaction – is going to be the same. Continue reading →
In the spirit of Valentine’s I’d like to write about how to incorporate love into writing.
First make sure everyone in your book is drop dead gorgeous, then make them witty, have super strength and intellect—basically make them amazing. And then have lots of steamy scenes.
There won’t be any shirtless men with abs, or smoky eyed women with luscious locks of hair here. If you’re struggling to write romance try Bumble. We’re not covering JUST that sort of love here, but rather, love on a broader scale.