How many times have you heard “write what you know”? It’s good advice – to a point. Because if everyone only wrote what they knew, we’d have no space odysseys, no dragons, no magical words, no elves or dwarves or krakens… and we’d be poorer for it.
So where does one draw the line between what you “should” write and what you can write? I’d say there isn’t a line, and if you’ve been limiting yourself, STOP! If you can make your readers want to enter the world you’ve written, no matter how unrealistic or crazy, then you’ve still succeeded in writing something good (i.e. interesting). You don’t need to be an expert in fighting to write a fight scene, or on trains to write about your characters taking a train ride. Same goes for flying on the back of a dinosaur, or piloting a ship through outer space – if you can make it interesting and immersive for your readers, only a few are going to nitpick the details. ♦ Continue reading
Last time I talked about killing off your characters, and how that can add momentum to your story, and help shape your plot. But what about handling the emotional spectrum that grief brings out in people as your story goes on?
Grief is a lot like love: everyone will experience it, and no one’s experience of it – or reaction – is going to be the same. Continue reading
In the spirit of Thanksgiving lets take a few moments to be thankful for all of the blessings we have. When it comes to writing what do you have to be thankful for?
Take inventory of your writing
Good story boils down to these four factors: plot, character, setting and craft.
While there are countless other elements that make up the intricacies of a good book, these are the backbone of a good story.
Odds are, you already know what you’re good at. If not, ask your friends or writing community—anyone who’s read your work. Or you can take this quiz to find out. What’s your specialty?
The World Builder
One of the joys of writing Science Fiction is how quickly tomorrow’s technology can surpass a writer’s imagination. Computers the size of your palm? Done. Glasses that help you see 3-D worlds? Done. Real Pokémon lurking in your backyard? Well, sort of. And 30 years ago, no one really expected those inventions to become reality in their lifetime.
So what does that mean for a science fiction writer? Should we all retreat to fantasy? No!
Hindsight is twenty twenty they say. Before I ambitiously embarked upon the adventure of a lifetime, I had no clue what to expect. Sure, I’d read many novels and books and blog posts on how to write them.
What I quickly found out was reading about writing, and actually writing, are totally different. It’s like thinking you’re a good singer because you watch America’s got Talent and belting out off key tunes at a karaoke bar. Time for a reality check.
There is no one way to developing plot. Plotting. Pantsing. Both. But there are basic phases that writers need to think about.
1. The beginning. 2. The middle. 3. The end. But what I have found that new writers even struggle to do this. They need a model, a clear example of how others build their plot. Continue reading
While reading—it keeps us turning the page with sweaty hands.
While writing. . . sometimes it’s just downright a pain.
If I can cause my reader to grow a few extra gray hairs from my writing, I count that a success. *I apologize ahead of time to any of my readers hoping to keep their luscious colorful locks hair.* Here are some of the basics for adding suspense I use.
It’s hard to write believable action when the most exciting thing you’ve done this year is spike your cat’s water bowl.
I say this because I’ve had a pretty action packed life and the action I’ve lived, I can write. One of my most infamous memories is of being attacked by gang members a couple years back. Thanks to that encounter, I can now say with confidence black eyes are not my style, a broken nose isn’t as flattering as I’d hoped, and hard as I try, I can’t rock stitches.