As a kid, did you watch Cinderella and Prince Charming get married, and wish that your adult life would turn out just the same? I will personally admit that being pulled out of a hum-drum life by a handsome, perfect man who would give me a crown, beautiful dresses and dance with me at balls sounded like the best of all possible futures – when I was 9. Continue reading →
Pen Friends, welcome Jessica Jade, a fabulous addition to the Spinning Pen. She’ll be joining us for a few months, sharing her journey on becoming an author — tips on writing, querying, YA fantasy, rejection, success, book reviews, and more! You’ll want to connect with her on twitter (link below) and see her beautiful novel aesthetics on her YA fantasy that she’s querying at the moment!
When I first started querying over two years ago, I thought I was ready—the manuscript, the query letter, everything.
If you’ve hung around here at The Spinning Pen at all, you’ll know a fun fact about us that isn’t very surprising: we all LOVE to read.
Last week, Caleb talked about the Reading Only Challenge he’s embarking on, and I thought I would add a little writing tip to go along with his fantastic idea. Missed his post? Check it out at the link above. Continue reading →
Not the catchiest challenge title, I know, but I think it gets the point across. This challenge is pretty straightforward: stop watching Netflix, log off social media, and start reading.
I already lost about half of you. To the other half, thanks for sticking around to at least read why anyone would do something so preposterous. But you’ve been warned- you’re about to be challenged to do something that will benefit your writing career more than anything you’ve tried yet, and it’s not going to be easy.
“How will this help me?”…
…you might ask. Good question.
“If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.” – Stephen King.
A reviewer wrote this about the protagonist of my first novel, Occidis. Nice, huh?
I’ve also received feedback from many readers who appreciate the very characteristics of the protagonist, Sophia, that seem to annoy others.
Several writers that I know have experienced this same situation. It’s hard to create a main character that everyone in your audience will fully appreciate. For every person who goes for the classic supernaturally athletic and brave protagonist with the aesthetic of an undiscovered model, there’s going to be a person wishing for someone who wasn’t quite so athletic or brave or ridiculously attractive.
Writing is a balancing act of complements and contrast. When you’re strategic in your placement of flat and round characters, you can create a focused, textured story that feels grounded in reality no matter how many dragons crawl through its pages. Let’s begin with looking at what flat and round characters are.
In our relatively sheltered lives, pain is usually a passing phenomenon – injury or accident; sickness or disease. But what about those that live with daily pain? Those stuck in poverty, starvation/malnutrition, warfare or abuse? All of these should be present somewhere in our stories, even if they remain on the outskirts. Continue reading →
I’m putting my nerd hat on for this post, since I am using anime and manga as my primary examples. In all 18 years of reading and watching Japanese stories, there’s a character type their writers use that I don’t see utilized in American stories often: the friendly rival.
You’ve finished a draft of your manuscript and done all your brain can possibly do alone. You celebrate because it’s readable– one might daresay enjoyable– but you know the time has come to let other’s eyes see your story. It’s time for beta readers.
Use these 5 tips to get the most out of your beta readers and kickstart your next draft.
Last time I talked about killing off your characters, and how that can add momentum to your story, and help shape your plot. But what about handling the emotional spectrum that grief brings out in people as your story goes on?
Grief is a lot like love: everyone will experience it, and no one’s experience of it – or reaction – is going to be the same. Continue reading →